Many musicians like Sonic Youth, Lydia Lunch and the Butthole Surfers contributed to the No Wave film movement. Also the images and film clips that appear in this documentary give viewer a well rounded sample of the filmвЂ™s / art that was created as part of the No Wave film movement. At just under seventy three minutes this documentary still covers plenty of ground as everything moves along briskly. In the interview included with this DVD director AngГ©lique Bosio mentions how she had enough material to work with that this documentary could have easily ballooned to a five four time length. The greatest strength of this documentary is how it holds your attention even if you know little or nothing at all about the subject at hand. The imagery and subject matter in these films was often extreme, profoundly disturbing and always in your face. At the core of the No Wave film movement were a group of underground filmmakers from New York, most notably Richard Kern, Joe Coleman and Nick Zedd who created unconventional films that disregarded traditional cinema aesthetics. Why this isn't on video or DVD goes beyond me, since it was one of the films that blazed the trail where other films like 'The Blair Witch Project' went! - Baroque, imdb title/tt0086560/ & /tt0230043/ m/files/343905814/VR TX.part01.rar m/files/343906773/VR TX.part02.rar m/files/343919019/VR TX.part03.rar m/files/343918747/VR TX.part04.rar m/files/343933283/VR TX.part05.rar m/files/343945424/VR TX.part06.rar m/files/343946915/VR TX.part07.rar m/files/343960023/VR TX.part08.rar m/files/343965500/VR TX.part09.rar m/files/343972731/VR TX.part10.rar m/files/343971010/VR TX.part11.rar = Llik Your Idols (2007) /img682/3639/ llik.jpg From : This documentary retraces the evolution and disintegration of Transgressive Cinema, which is also sometimes referred to as No Wave film movement (obviously a play on the musical genre, New Wave which emerged around the same time). An interesting period piece from the days before cam-corders and home computers, when people actually had to use film to make independent movies. (Powers is played in deadpan style by Lydia Lunch and comes across as more 'spike heel' than 'gum shoe'.) While the special effects and camera work reveal the painfully low budget at times, the atmosphere is particularly haunting, especially when accentuated by the film's jazz music score. The storyline works around a plot of corporate warfare and defense contract corruption uncovered by private detective Angel Powers, who is investigating the death of a government official. This film, shot in 16mm with a tiny budget (reportedly a mere $80,000), was an attempt of bringing film noir stylings to independent film. еЂ«е®¶дёЌе¤Єж‡‚пјЊж‰Ђд»Ґж‰ѕзљ„жњ‰й»ћзІ—зЌ·=гЂ‚гЂ‚= еЂ«е®¶жЉЉж‰Ђжњ‰еҐ№е‡єзЏѕзљ„й›»еЅ±еџєжњ¬йѓЅж‰ѕе‡єдѕ†дє† дЅ и‡Єе·±жЊ‘еђ§ иї‘жњџж€‘жњѓжЉЉ Lydia Lunch - Willing Victim Lydia Lunch - Video Hysterie : 1978 - 2006 е…©ејµDVD5е‚іе€°RSдёЉйќў =гЂ‚гЂ‚= Vortex + Black Box (1979 - 1982) ket.com/albums/yењ“4/ MrElg/bbox.jpg?t=126 4672453 A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real 'corporate wars' and the manipulation of politicians.

Lydia lunch willing victim